La Niña De La Casa , or The Girl in the House when translated to English, is a performance by Fina Ferrara which begins with a prelude to another performance titled Heartwork broadcasted to the audience. Heartwork entails Fina seated on the grass in a white gown stitching red thread through animal hearts in the mists of an ominous forest to spell the word ‘trust’. The theme of certainty in others becomes followed by Fina Ferrara being broadcasted to the audience live on a s

Performance and performance-based art is meant to be enjoyed and appreciated in the moment. When a performance is over however, the piece can still be savored in the form of video and photography. This sense of mindfulness brings us to one of the most celebrated performance artists of our time: Fina Ferrara. Ms. Ferrara’s performance work is usually conceptual-based rather than conveying a narrative. Concepts such as overcoming and purging personal suffering, emotional releas

Written by Joas Nebe. A good tradition of the Art Basel brand is to curate a publicly accessible program alongside the fair. In Paris, this includes works by Alex Da Corte, a performance featuring a balloon figure and four performers at Place Vendôme, as well as two kinetic sculptures by Julius von Bismarck at the Petit Palais. Alex Da Corte's performance "Kermit The Frog" (Sadie Cole HQ, London) features a three-quarters inflated balloon figure floating over the pavement at

artwork by Masha Luch There is no secret Titan Contemporary Publishing frowns upon any attempts to apply artificial intelligence to writing and the visual arts. In regard to writing, particularly critical writing, we will try to explain the deep and impactful human-connection created when a writer studies and interprets works of art by a notable artist. Anyone who is a genuine critical writer with extensive experience knows there is absolutely no way to truly build connection

artwork by Paige Young No matter what anyone will claim, machines will not replace the value of genuine human creativity. Artists are sometimes lectured by the tech-bros to ‘evolve or be replaced’, ‘embrace AI’, ‘work with AI, not against AI’. However, what these tech-bros fail to understand is how the art world operates. Virtually every established gallery you will find has sidelined artificial intelligence content. Same with art fairs. Why? Because no collector wants to pay

artwork by Amelia Bisbardis Illusory and perceptive qualities in contemporary art can come in many forms. Sometimes just cropping an...

performance by Fina Ferrara Written by Joas Nebe Parasitó: an exhibition by Vedica Art Studios and Gallery. In collaboration with the...

artwork by Gareth Lloyd FEIN Collections [made in new york city] is a contemporary gallery based in Bruton located within Somerset county, England. The Gallery Director, Danielle Fein, is a renaissance woman with a background in screenwriting, classical ballet, art history, and law. Danielle has been collecting art since her early twenties before becoming a dedicated gallerist. At a little under 1,000 sq. ft. containing an office and two gallery rooms, FEIN Collections curren

artwork by Lola del Fresno Carolyn Schlam’s More Joy of Art: Keys to Appreciating Art is an art history, art philosophy, and art...

Artificial intelligence should not be used in any form of writing and especially in critical writing because nobody wants to be written about by a machine. At Titan Contemporary Publishing, we had unfortunate incidents where a couple of our writers had submitted writing produced by artificial intelligence. As a result, these individuals were fired and partnerships were terminated. Their essays have been deleted from our books and online platforms. We intend to never allow wri