Marilina Marchica V. 2

Marilina Marchica is an experimental mixed media artist and draftswoman who has exhibited across her native Sicily, Italy as well as internationally in Berlin. Recent solo exhibitions in Italy include CCC Centro di Cultura Contemporanea in Agrigento in Sicily, Capitale Italiana della Cultura, Municipality of Agrigento and Agrigento Capitale Italiana della Cultura 2025, Studio Pelicula, Pesaro, Roma Arte, University of Catania, and dual shows at FAM Gallery in Agrigento. Collective exhibitions in Italy include Palazzo Bevilacqua in Curinga, NICE Ad Fair at Paratissima in Turin, and Sacca Gallery in Modica. Marilina is a multi-time winner of the Premio Combat Prize and has been published in L’Isola Contemporanea by Palermo University Press as well as the Venice Biennale. 

The experimental drawings and prints of Marilina Marchica are based in subtractive methods of both erasure, application, and layout of patterns as well as forms. She sometimes combines chemicals with her work, such as oxide, which reveal compositions with a cataclysmic reaction. Like the very jaws of oblivion, these works seem like realms or portals into fantastical dimensions based on complex, subtle texture and cavity-like forms. Incorporating fragments and discarded materials, the drawings and prints are based on the structure of the cracks in walls and aged architecture which reflect humanity’s relationship to time, space, and nature.

Using techniques such as cast, frottage, and collage, Marilina Marchica portrays ethereal monochromatic planes which represent fracture and turbulence and a concept steeped in abandonment amidst isolated and far removed locations. The brilliant texture and asymmetrical patterns as well as fluid capacity in the works are often followed by negative space which leaves room for the viewer to reflect on the abyss which remains within the composed composition. If one were to take a deep dive into her work, the viewer will find a deep sense of darkness which seems almost indirectly macabre and reflects a beauty conveying an almost morbid yet mystifying experience. Like an enchanted sorcerer, Marilina commands her realms to reflect her personal philosophical musings through abstraction based in technique, experimental application and a masterful composition of compacted as well as open space.

Frammento Carboncino s Tela (pictured above) seems almost Victorian in the patterned layout, both intricate and robust, or perhaps even Rococo in the sense of refinement and complexity. Such a combination between contemporary application and historical reference reveal textures which move beyond familiarity but based on a foundation of observation. One of the most complex pieces in her portfolio, Marilina shows versatility in revealing works which are consistent yet vastly unique from one another in conceptual purpose and expressions of individuality. 

With complexity in pattern and application, Marilina Marchica reveals herself as a complex and versatile artist willing to confront conceptual as well as philosophical principles with her unique approach to texture and surface. These dark and mystical works can be interpreted as both an escape into a fantastical, enchanted realm of abyss-like proportions or philosophical musings on the purpose of time, space, and humanities role in shaping architecture as well as natural environments. Marilina’s works are both a testament to nature as well as a kindred spirit of her own expressions though pushing the boundaries of monochromatic substances and surfaces to reveal a variety of psychological impulses and sensory experiences.

https://www.marilinamarchica.com