Foreword: Written by Michael Hanna, Editor of Point Pleasant Publishing. This is not an interview with textile artist Minyu Zhu, but rather, documented conversations and philosophical musings about her practice. As a result, these writings are far more natural and fluid in comparison to a standard interview, and the contents as well as structure are more similar to an autobiographical essay. What strikes me the most about Minyu Zhu is how complex she is, both as an artist and

artwork by Masha Luch There is no secret Titan Contemporary Publishing frowns upon any attempts to apply artificial intelligence to writing and the visual arts. In regard to writing, particularly critical writing, we will try to explain the deep and impactful human-connection created when a writer studies and interprets works of art by a notable artist. Anyone who is a genuine critical writer with extensive experience knows there is absolutely no way to truly build connection

artwork by Paige Young No matter what anyone will claim, machines will not replace the value of genuine human creativity. Artists are sometimes lectured by the tech-bros to ‘evolve or be replaced’, ‘embrace AI’, ‘work with AI, not against AI’. However, what these tech-bros fail to understand is how the art world operates. Virtually every established gallery you will find has sidelined artificial intelligence content. Same with art fairs. Why? Because no collector wants to pay

artwork by Peter Horvath The age old debate of figurative versus non-figurative comes down to a question of aesthetics and concepts. Some...