Molly Dario is a California-based experimental moving-image director / artist whose works deal with dream-like sequences of nihilism and corruption around her protagonists. One such moving-image project would be Hexed is a (Woman) Nightingale Half-Dreamed. Molly describes her approach as exploring “human desires, our current cultures romance with technology, communication to the natural and unnatural, all while denoting symbols to both past and future worlds”. Hexed is a (Wo

Weiyu Lin is a conceptual photographer working with still life, constructed imagery, and photographic installation who has exhibited in the United Kingdom and China. Recent exhibitions include Middlesex University and Filet Space in London, and Guiyang Art Museum in China. His notable recognition includes an exhibition and award from Imageless Dummy Photobook Awards (IDPA) in Hong Kong. The work of Weiyu Lin can primarily be found in three sets of series: Roaming Under the A

EL UMBRAL DE LA MEMORIA, or The Threshold of Memory when translated into English, is a two-hour performance by Fina Ferrara. This is an interactive and interdisciplinary performance which incorporates moving-image, light design, and installation. Also, EL UMBRAL DE LA MEMORIA contains several ‘artifacts’ and mementos from a previous performance, which is A-B-USED. These ‘artifacts’ and mementos are primarily divided into two portions, the entrance is a moving-image installati

Alexandra-Camelia Stanciu (Alice) is a jewelry and fashion designer who has exhibited in Bucharest. Notable exhibitions in Bucharest include Casa Eliad and National Bank of Romania. With a background in graphic design, since 2024 Alexandra has dedicated herself towards her own personal designs based in fashion and jewelry. With a focus on ancient and ancestral Romanian folk-lore and history, Alexandra uses her fashionable wares and jewelry to imprint symbolism related to her

Arrival Gallery is an international gallery based in London, Paris, New York, Osaka, Brighton, Milan, Lisbon, Madrid, Athens, Amsterdam, and Manilla. They interviewed interdisciplinary lens-based artist Michael Hanna with 10 curated questions about his practice. Michael is also the principle writer and editor of Point Pleasant Publishing. 1. What are some of your earliest artistic memories, and how do they continue to influence your work today? My earliest memory as a

One of the reasons moving-image has historically been an underrepresented form of visual art is because throughout the history of film and video, society has largely regulated these mediums as entertainment or fringe expressions, rather than high-art. Moving-image and performance as artforms are at the forefront of the avant-garde because we are collectively rethinking our approach to art with sustained motion. Since time immemorial, we have largely defined art as a static, f

Written by Joas Nebe. The Kunstmuseum Basel presents the first major solo exhibition in Europe of moving-image artist Cao Fei (born 1978), whose formative years in China coincided with the cautious economic opening under Deng Xiaoping and whose artistic imagination bears traces of semi-legal Western imports alongside early imitations of Western consumer goods and their visual language. Growing up amid such hybrid material cultures, Fei began producing Hip Hop videos in the ea