In the age of artificial intelligence, there is no greater currency than the ability to draw people’s attention. With the endless amount of AI slop in the form of automated texts and images filling our personal and professional spaces, how does the artist thrive amidst a sea of crap? Well first of all, the artist should not be too hard on themselves because historically what draws the attention of the masses rarely turns out to be great art. Being able to click-bait mass atte

Masha Luch is a multi-disciplinary artist who works with video, photography, installation, textiles, book arts, and printmaking. With a background in fashion design and motion graphics, Masha has been extensively published by Point Pleasant Publishing, both in the Artist Feature Catalogue  and Point Pleasant Journal . Her most recent exhibitions include The House of Smalls Gallery in Edinburgh, United Kingdom, Onboards Biennale / M HKA - Museum of Contemporary Art in Antwerp,

Nancy Staub Laughlin is an assemblage artist who has exhibited throughout the Northeastern United States. Her work has been extensively critically published including by the late art critic Sam Hunter from Princeton University. Some recent exhibitions include Gormley Gallery at Maryland University in Baltimore, Moore College of Art in Philadelphia, Monmouth Museum in Lincroft, New Jersey, Carter Burden Gallery and West Gallery in New York. In terms of assemblage, Nancy Staub

Joas Nebe is a collage and video artist who has exhibited across Europe and the United States. Recent exhibitions include Decagon Gallery and Starta Arta Gallery in New York, Earth Gallery and Biddle Brothers in London, Fountain Street Gallery in Boston, and MADS Gallery in Milan. He has been published by notable publications such as LandEscape Contemporary Art Review - Biennale edition, New York Weekly, and Disruptor Magazine. The collage work of Joas Nebe focuses on how sem

Pauline Galiana is an installation, assemblage, and video artist who has exhibited particularly across the Northeastern United States. Recent exhibitions include International Drawing Space, A Space Gallery, LES Ecology Center, Artspace, Sojourner Gallery, Human Impact Institute, and Westbeth Gallery in New York, The Puffin Cultural Forum in Teaneck, New Jersey , Town Hall Community Center Gallery in Randolph, New Hampshire, and Kay Daugherty Gallery in Solomons, Maryland.  F

Ann Vollum is a fiber and textile artist who has exhibited extensively in the New Jersey / New York metropolitan area. Recent exhibitions include Paul Robeson Galleries at Rutgers University in Newark, Hunterdon Art Museum in   Clinton, Culture Lab and The Painting Center in New York, Art House Productions, Gallery 14C, and Gallery Art 150 Gallery in Jersey City, Leach Gallery, in Montclair, and Watchung Arts Center. Usually depicting fantastical creatures which she describes

Reggie Davis is an analogue digital and video artist who has displayed his video works at The Phillip K. Dick film festival in New York City and Los Angeles as well as the Colortape International Film Festival in Australia. He is the recipient of several grants including from the San Francisco Arts Commission and Senior Cohort Grant from The African American Cultural Center. These digital artworks by Reggie Davis are largely derived from video stills and digitally altered in

Jiayi Gu is a landscape and urban photographer who has exhibited in the United Kingdom and China. Recent exhibitions in London include Espacio Gallery, Youth Mobile Photography, Exhibition, Filet, University of the Arts, and Grays Wharf Gallery. Her biography described her work as “working through image, material, and the spatial experience of perception, Gu investigates how time and attention shape the way we see. Her photographic and spatial works share a contemplative sens

Ziyu Wei is a documentary photographer who has exhibited recently in Espacio Gallery and The Koppel Project in London, WPAC in Wuhan, China, and ARS ELECTRONICA CENTER in Linz, Austria. Her biography describes the work as “rather than offering straightforward representation, Wei’s images function as emotional architectures, tracing the residues of desire, anxiety, and tenderness that define modern existence. Within these shifting spaces, she reflects on how human vulnerabilit