Yanice Yang (Liuqingqing Yang) is an interactive graphic-based artist working as a human-computer interaction researcher and product designer in the San Francisco Bay area. She has a background in fashion design and is an expert in code-based computing and motion-graphics. The graphic-based interactive cards of Yanice Yang entail subtle motion graphics which seem to glide, as opposed to follow, the guided hand of the viewer. Not all of her works contain these motion-graphic

Hell is Here, and Sometimes I Rest Upon It is a two-part performance directed and performed by Mädchen Vivi. The performance conveys the concept of hell as a resting place to ruminate and liberate the self from the patriarchy. Consisting of two separately performed acts, Hell is Here, and Sometimes I Rest Upon It consists of Mädchen Vivi essentially in a hell-like safe-room ‘making love’ to a cigarette and a second part of Fedra Morini performing the same act within the disp

Penance is a textile work by Ann Vollum. Unlike other pieces within her portfolio, Penance is notably anti-commercial and even overtly aggressive, as opposed to her more consistently delicate tapestries and fiber installations conveying themes of subtle underlying macabre narratives and themes. With Penance, there is a dichotomy between Victorian lace aesthetics and post-apocalyptic materials, such as industrial nails integrated into the textiles and resting on a piece of pe

graphic-based installation by Meg Lewis Kennedy Malsch and Meg Lewis are two very different artists, but both represent the contemporary young avant-garde. With the work of Kennedy, she deals with fluxus photography which is usually analogue in practice with a unique gift to perfectly integrate her models seamlessly into nature, as if they were sirens lurking from the shadows of the forest. Meg Lewis, on the other hand, is an experimental graphic-based installation artist who

Ah, the grand mythology of the art historian, the ultimate arbiter of truth, the oracle of the arts. Well I have to burst your bubble, because contemporary art historians are not historians, they are in fact middle-men for the public relations arm of corporations, non-profit organizations, and various NGO’s. Not only are art historians not historians, they are not really genuine arts writers or authentic critics either, they are in fact essentially sociologists. Art historian

Environmental photographic installation by Michael Hanna. The Glass Enlightenment is a site-specific temporary installation which occurred in the middle of a forest, specifically Sawmill Trail in Brick Township, New Jersey. With a basis in institutional criticism, the installation questions social constructs such as status and power or the relevancy of institutions. The glass specifically is laid upon the open forest to create direct symbolism to nature. Glass can be made to

HEARTWORK is a moving-image performance by Fina Ferrara which delves on themes of emotion, memory, and transformation. The interdisciplinary performance incorporates elements of installation art, with Fina Ferrara turning herself and her dress as a living installation by placing real hearts, sewn with letters, to convey messages on ‘truth’ and ‘trust’. The moving-image performance was presented at Indra Gallery (London, 2025) as part of the PATHOS exhibition, as well as in th

Although the works of Won Ji Lim are technically interdisciplinary installations in physical form, they are more similar conceptually to performance in their temporary, unstable, mechanical, and provocatively interactive nature. What essentially these artworks exemplify is using the art of installation in not only unfamiliar practices, but also in methods which highlight states of psychological distress. In a world full of war, income inequality, cronyism, corruption, and soc

Dmytro Sobokar is an experimental photographer who has participated in almost two dozen collective and solo exhibitions around the world, including most recently in Basel, Switzerland at ST-ART art fair presented by FORM Galerie. Dmytro is a member of the World Photography Organisation (WPO, UK) and the National Society of Photo Artists of Ukraine (NSPAU). The three most notable series in Dmytro Sobokar’s portfolio entail Project ORCH / Night Edition, Project ARHELE, and D