HEARTWORK is a moving-image performance by Fina Ferrara which delves on themes of emotion, memory, and transformation. The interdisciplinary performance incorporates elements of installation art, with Fina Ferrara turning herself and her dress as a living installation by placing real hearts, sewn with letters, to convey messages on ‘truth’ and ‘trust’. The moving-image performance was presented at Indra Gallery (London, 2025) as part of the PATHOS exhibition, as well as in th

Raw Forests photographic assemblage series by Michael Hanna. I was considering publishing these forest-based photographic assemblages in the various publication opportunities available. However, since none of these periodicals I found online with open calls specialize in experimental art, I felt they would not be treated with as much recognition or care as they would if I just directly publish them in Point Pleasant Journal with Point Pleasant Publishing. I also feel the audi

Dmytro Sobokar is an experimental photographer who has participated in almost two dozen collective and solo exhibitions around the world, including most recently in Basel, Switzerland at ST-ART art fair presented by FORM Galerie. Dmytro is a member of the World Photography Organisation (WPO, UK) and the National Society of Photo Artists of Ukraine (NSPAU). The three most notable series in Dmytro Sobokar’s portfolio entail Project ORCH / Night Edition, Project ARHELE, and D

This discussion regarding diaspora, connections to homeland, and migration is specifically in reference to Thai culture and the art of Natcha Wongchanglaw. As someone who has moved around Thailand for much of her life due to her father’s work, Natcha Wongchanglaw is well-versed on Thailand as a place. She does not experience severe homesickness but sometimes misses the easy-going vibes of Thai culture, being close to her mother, and authentic Thai cuisine. Thailand can be des

Kennedy Malsch is fluxus photographer working with digital, analogue film, and analogue photograms. She describes her work as beginning “with the belief beauty is not assigned. A place, object, or moment does not need to be extraordinary to become meaningful. Attention has the ability to transform the ordinary into something vivid, intimate, and worth preserving”. The various photography of Kennedy Malsch in both digital and analogue film typically focus on either the figure

Meg Lewis is an experimental graphic-based installation artist who has exhibited in New York and Florida. Recent exhibitions include multiple showings at Collin Chase Gallery as well as group shows at CCNY Planetarium and Parsons in New York. The research-based practice of Meg Lewis entails study and documentation into spirituality, science, and history, specifically in relation to depicting pixelated forms of herself. Her interdisciplinary practice ranges from motion graphi

Abi Bruno is a fluxus analogue photographer who has a background as a curator with Culturally Arts Collective. She has exhibited in Indiana at Rueff Galleries and Ringel Gallery as well as has been published by The Bell Tower literary journal. The fluxus analogue photography of Abi Bruno typically depicts figures and scenes which seem deeply haunted or fixated between shifting planes. From multiple exposures to extreme granularity to elements of performance, these photographs

Conceptual photographer Philip Ringler and performance artist Cat Sweet are known for their combinative and provocative performance titled Start Smiling. Photographed in a mall in Newark, California during non-peak hours, Philip Ringler uses a basic Apple I-Phone instead of a professional full-frame or APS-C camera to photograph the series, specifically to avoid the unwanted attention of security as they conduct their provocative performance scenes throughout the mall. Start

Muchuan is an experimental installation and graphic-based artist who has exhibited in London, Bristol in the UK, Paris, Venice, and Zhuhai, China. She is a graduate from the Royal College of Art, widely considered to be the finest art school in the world. Ranging from assembled toy-like neon labyrinths, over-stimulating glitter memes, symbolic glass coffins, and commodity-based constructs appearing like structures of candy, the works of Muchuan are based on concepts of subver